Daily Schedule
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The Antioch Writers' Workshop:
A Community of Writers
I was inspired by the sense of community as well as the classes. My intensive was wonderful and just what I needed to put depth and perspective in my writing. I feel like I am leaving here having jumped to a completely new level.
OUR PROGRAM
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UPCOMING WORKSHOPS
July 12-18, 2008

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DAILY SCHEDULE


Click to download a copy of the 2008 Daily Schedule

Morning Lectures
These lectures are open to all workshop participants and include the opportunity to ask writing questions of the faculty member. The instructors may incorporate in-class writing or optional homework.

Morning Fiction (Instructor: Myla Goldberg): An examination of the elements of fiction (e.g., plot, character, and point of view) with discussion of how these elements work in successful writing.

Morning Poetry (Instructor: Robert Morgan): An examination of the elements of poetry (e.g., form, meter, and sound) with discussion of examples of successful poems.

Morning Nonfiction (Instructor: John Lane): An examination of the elements of nonfiction (e.g., structure, research, and accuracy) with discussion of how these elements work in successful writing.

The Writing Life (Various presenters): Professionals, including a literary agent, speak on the business side of writing. Our annual first book talk features workshop alumni who've gone on to publish their work.
Group Lunches
The accessibility of our faculty is one of our hallmarks, and these informal, outside-of-the-classroom gatherings offer rich opportunities for discussion and advice. Participants and faculty eat lunch together in small groups at restaurants in the village of Yellow Springs.

Afternoon Activities
Workshop participants have several choices for their afternoon activities. You may enroll in one of the seminars or you may choose to leave the afternoon free to write, explore the beauty of the Glen Helen nature preserve, or relax.

Afternoon Seminars
The following seminars are each limited to 12 participants who commit themselves to attend all sessions and to read and comment thoughtfully and constructively on the other participants’ manuscripts. In addition to manuscript critique, time may be devoted to discussion of writing techniques, in-class exercises, and examples of the work of published writers. Homework assignments may be made by the instructor.
Fiction Seminars (Instructors: Lucrecia Guerrero or Kevin Haworth): Manuscripts—short story or novel extract in any genre—are submitted in advance. They may not exceed 20 double-spaced pages.

Narrative Nonfiction Seminar (Instructor: Ron Stodghill): Manuscripts are submitted in advance. They may not exceed 20 double-spaced pages.

Poetry Seminar (Instructor: John Drury): Manuscripts, submitted in advance, may not exceed 10 single-spaced pages with one poem per page.

Mystery Seminar (Instructor: Carrie Bebris): Manuscripts are submitted in advance. They may not exceed 20 double-spaced pages.

“Your Journey Begins” (Instructor: Cathy Smith Bowers): No manuscript is required for admission to this seminar, which is designed for writers who are either in the beginning stages of exploring their craft or who wish to explore different forms. Much of the time will be devoted to writing exercises and discussion of fiction, poetry, and essay as forms. This intensive is limited to 15 participants who commit themselves to attend all sessions. Homework assignments may be made by the instructor.

Evening Programs

Evenings bring lively readings, stimulating panel discussions, and dramatic presentations featuring faculty and special guests. On the final evening of the workshop, selected participants read their own work. These programs are open to the public.

On two weeknight evenings, following the evening program, participants can read from their own work or choose to sit back and enjoy listening to the work of fellow writers at one of our Coffee House Readings.